Jaqui Smith wants all your base

The UK Home Secretary has turned into a full on foaming at the mouth lunatic. After Lords shot down her attempt to be able to keep prisoners in custody for unreal periods of time without any reason or cause, here comes her 2008 data communications act, in which she wants to be able to keep all records of all communications (telephone, email, browsing, mobile phone, text messaging – EVERYTHING) in a centralised government database. Where we know, from the UK government’s past efforts at keeping databases, the data will be kept safe. If by kept safe you mean lost on an unencrypted USB storage device. And where, of course, the data won’t be used for unlawfull purposes. Such as following around ‘political dissidents’. Or sold to third parties, like BT / Phorm.

Centralised databases used to track dissidents

Terrorism tracking databases are now being used in the US to track people with political leanings that the police, well, just don’t like. Such as opposing the death penalty, for example. 53 nonviolent dissidents have been found to have been inserted deliberately into the terrorist tracking databases. Of course, this is just the tip of the iceberg.

And where is your ‘if you have done nothing wrong you have nothing to fear’ argument now?

Wal-Mart shows us why Spore’s DRM is fubar

Spore has been getting loads of flak for publishing a game using a copy protection method that only allows you to install it on 3 user accounts. They’ve since raised the amount to 5, and say that you should be able to install it on more PCs if you give them a call.

Wall Mart is taking down their DRM servers. This means all music purchased legally from Wall Mart can no longer be played. Wall Mart is now reccomending people break their DRM if they want to keep their music!

This is why copy protection schemes such as Electronic Arts’ Spore are unnaceptable. Servers do go down. And then suddenly you can’t play your game any more at all!

Apple goes patent nuts again!

We’ve covered how Apple has stolen the Ipod from a broke British bloke before (here) and how they’ve ripped the design of the new Nano from Cupertino (here) and whilst we haven’t covered that before, it turns out that the OS-X desktop launch bar (the thing on the bottom) has marked similarities to Konfabulator. Now, Apple has taken it in their head to attempts to patent a pre-existing display software idea, namely Intelliscreen’s notifier for jailbroken ipones.

Park attendants ordered to interrogate adults spotted without children | Mail Online

Earlier in the UK, they’ve decided that in order for you to be anywhere near a child, you need to be government vetted, a useless and innefective process that only shows security theatre.

Now, park attendants have been ordered to interrogate adults spotted without children. Adults in the park must have a good explanation for being there, or otherwise they will be kicked out. By a Park attendant. Who is obviously totally trained to spot dangerous people and situations. Not. Other than the fact that they are in no way capable of this kind of security selection, aren’t parks there for the entertainment of everyone? Is everyone without kids now a suspected paedophile? Maybe we should just have everyone neutered at birth, that way there’s no way a peadophile could ever endanger a child.

Satellite Damage Assessment For Tskhinvali, South Ossetia, Georgia (as of 22 Aug 2008

This map presents a satellite-based damage assessment for the city of Tskhinvali, South Ossetia, Georgia following the armed conflict between Georgian and Russian military forces in August 2008. Damaged buildings have been identified with WorldView-1 and Formosat-2 satellite imagery acquired on 19 August 2008 at a spatial resolution of 50cm and 2m respectively. An estimated total of 438 buildings within the mapped extent of Tskhinvali have been classified either as destroyed or severely damaged. An important preliminary finding of this satellite damage analysis is the observed heavy concentration of building damages within clearly defined residential areas. Please note, this is an initial damage assessment and has not yet been independently validated on the ground.

Link Location – MAP + PDF

terror ‘watch list’ newness?

Yes, this article has the mandatory OMG I can’t believe he’s on the watchlist cast of characters, but what’s more interesting is the two other points the article makes:
1) there is paperwork to get off the watchlist, but at 3 years and counting it’s still not being processed
2) people have now been on it so long, they’ve figured out some really easy ways to get around it.

Again – using child porn as an excuse

In the drive for total control over the internet, ISP’s have got together to outright block any “child porn” they may find. This of course sounds like a nice plan, but the problem is that it sets a precendence in that the ISPs have the power (and the responsibilty?) – both of which should be reserved for jugdes of a court system – to block whatever content they feel like.

In an inane twist to this idiocy, now New York Attorney General Andrew Cuomo is threatening to sue ISP Comcast for not agreeing with his version of the anti-child-porn treaty. He has no real case, but he’s defaming them by stating that if they’re against him, they’re for child porn.

So who made him the global child-porn fighter then?

EU to protect singers for 95 years

Because the record companies insist on following a dramatically failing business model, the EU now wants to encourage their incompetence. They want to raise the period that a rightsholder has rights to their performance (of any song, not necessarily one their own) from 50 years to 95 years, like in the US.

One of the claimed arguments is that if you performed something at the age of 20, when you’re 70 you won’t have any income from it any more. Of course, maybe you should just work in the intervening 50 years and build up a pension just like the rest of us.

More than that though, it props up the incompetent recording companies who we don’t really need as we can see by the increasing amount of independant production companies and the falling sales. They generally own the rights of a performance as they generally strip these rights off the happless 20 year old performer who is only too happy to be given the chance to perform at all.